Erik Mauck is a documentary filmmaker, camera operator and editor based in Austin, Texas, who has extensive experience working on a wide variety of non-fiction projects. He has directed and edited several feature-length projects including “Zombie Girl: The Movie,” which won the 2010 Spirit Award at the Slamdance Film Festival, and “The Road to Livingston,” which had an extensive film festival run and was distributed by Film Rise. He has also worked on several shorts including “See the Dirt,” which won the Best Documentary Short Award at the 2012 Austin Film Festival and “The Last Book Buy,” which was nominated for the Texas Short Film Award at the 2024 Austin Film Festival. He has also worked within the non-profit community in Austin for organizations such as the Westcave Discovery Center, Keep Austin Beautiful, Bookspring, and Keep Austin Fed. He has also made several narrative features and shorts, specializing in using improvisation to initiate dialogue between his characters.

Amanda Ashford
Director | Model | Entrepreneur | Realtor

Amanda Ashford is a Texas-based director and creative visionary whose career bridges film, fashion, and real estate. Beginning as a professional high-fashion model, Amanda built a decade-long portfolio working with brands across the U.S. in editorial, runway, and commercial campaigns. Her time in front of the camera sparked a deep passion for storytelling and visual impact — a passion that now drives her work behind the lens as Director of the Marvin Zindler Documentary. Through her leadership, the film honors the legacy of one of Texas’ most iconic figures with authenticity, integrity, and heart.

Beyond filmmaking, Amanda is a Texas Realtor and entrepreneur known for her strategic insight, negotiation skills, and community-driven approach. Her background in real estate and brand development allows her to approach filmmaking with a unique blend of vision and precision — seamlessly combining creative artistry with business acumen. With each project, Amanda aims to tell stories that not only move audiences but also reflect the spirit, resilience, and humanity of Texas itself.